When Whitney Houston died, I felt great sadness. My sadness, of course, was about our collective loss - when you listened to this nightingale sing, your body would drop into a chair, your head would tilt up, a small smile would creep across your face, and inside you knew that there was a higher power somewhere: gifted, beautiful, spiritual.
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When I first envisioned 'Funny Games' in the mid-1990s, it was my intention to have an American audience watch the movie. It is a reaction to a certain American cinema, its violence, its naivety, the way American cinema toys with human beings. In many American films, violence is made consumable.
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